Everything about Virtual Heritage: 3D modeling, 3D digitization, 3D publishing in relation with Cultural and Natural Heritage.
Virtual reconstructions and recreations, without a real scale factor and an affective component in them can be perceived as stark and abstract. They can rely on a lot of information but are lifeless. This post describes my experience with a thorough course regarding the 3D historical character creation that I attended at the end of 2022.
It's been an year since I started this project and almost half an year since I started this post that was supposed to introduce you the concept behind this project. Things stumbled many times, many corrections had to be done and a lot of work to be updated. Lessons were learned, new white hair threads appeared and a patient collaborator was won. This is the story of Kula Project.
A short story about my experience the 3D digitization of a small collection of 55 cave bear mandible fragments (from late Pleistocene) in a relative short time. This project was carried out between June and July 2022.
A review and my final results from the Kore Formacion course on using Blender for 3D virtual reconstruction of historical monuments.
The Real and the Virtual, taken together, can greatly expand the cultural and human experience. In the field of Virtual Heritage, this synergy transforms the person (visitor or expert) from a simple observer into an active participant, in the main role.
Yesterday I finished my first snow globe featuring one of my scanned 3D models, put it in ThreeJS, and everything went according to plan.
From the beginning I must say that this post is not a guide. I recently published a paper on this topic, and I believe it is more than helpful for anyone in the position of digitizing translucid or highly specular objects, especially in the constraints of Cultural Heritage preventive conservation rules. So this post is a discussion starter and a kind of an invitation to read this paper.
A brief review of three Blender 3D tutorials, from the perspective of a guy who is returning to 3D modelling after almost 20 years.
This discussion is intended as a brief introduction to the field of 3D digitization/documentation in Cultural Heritage. About its mission, means and future. Since this field is where I spent most of my focus, I thought it might be a good idea to draw some loose lines around what is what here.
This short article about the correct usages of the terms digitization and digitalization has been on my mind for a long time.
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