Photogrammetry Workshop Plovdiv 2022
A few thoughts after the Photogrammetry Workshop Plovdiv 2022, a pre-event for the 14th ICCM Conference Plovdiv 2022. My first intensive photogrammetry course in the shape of a workshop.
A few thoughts after the Photogrammetry Workshop Plovdiv 2022, a pre-event for the 14th ICCM Conference Plovdiv 2022. My first intensive photogrammetry course in the shape of a workshop.
A short story about my experience the 3D digitization of a small collection of 55 cave bear mandible fragments (from late Pleistocene) in a relative short time. This project was carried out between June and July 2022.
From the beginning I must say that this post is not a guide. I recently published a paper on this topic, and I believe it is more than helpful for anyone in the position of digitizing translucid or highly specular objects, especially in the constraints of Cultural Heritage preventive conservation rules. So this post is a discussion starter and a kind of an invitation to read this paper.
This discussion is intended as a brief introduction to the field of 3D digitization/documentation in Cultural Heritage. About its mission, means and future. Since this field is where I spent most of my focus, I thought it might be a good idea to draw some loose lines around what is what here.
This short article about the correct usages of the terms digitization and digitalization has been on my mind for a long time.
Ever wondered how can you publish your own 3D content to Facebook, from any device or platform? Create a 3D photo without iOS? I got you!
In this post I’m going to explain basic concepts about very close-range photogrammetry. An old experiment will be described and my first setup is also presented.
An introductory discussion regarding the etymology and the various definitions of photogrammetry.
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